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The Feminist art movement begun around 1960s as a result of the passion of anti-war protests .the Art was implemented by the feminist artist whose aim was to modify the world surrounding them by focusing in venturing into the established world of art, the principles of art, as well as day-to-day social connections. The goal of feminist was mainly to bring impact on cultural attitudes and convert stereotypes. Considering there was no any particular  way in which the feminist artist were united , since they mostly as they combined  ideas from various movements and media, that presented   information  concerning women's experience and the necessity for gender equality.  The art of Feminist art innovated opportunities and spaces which were previously and did not exist for women and minority artists. The aim objective of Feminist artists is to create a conversation between the viewer and the artwork via the presence of women's perspective. The art was not only an admiration concept to the viewer but instead it enabled the viewer to question the social and political landscape. This question helped to modify the world as well as initiate the change toward equality (Harold, 2009).

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The Harlem Renaissance was a manifestation of African-American social assumptions and culture that took a place in newly Black community in the region of Harlem. The Harlem Renaissance thrived from early 1920 to1940 and was articulated via each and every cultural medium through the visual art, music dance, literature theatre, poetry, history and the following white flight of Harlem. As a substitute of applying direct political means, influential people such as the African-American artists, musicians and writers applied the concept of culture to work for objectives of civil rights and egalitarianism. The lasting legacy Harlem Renaissance is that for the first time, African-American paintings, and writings, became engrossed into conventional culture. At the period, it was recognized by name the New Negro Movement of notable African-American works (David, 1994).

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